As Vital, Feisty and Sexy as Ever, Helen Mirren Opens Up in the December/January Issue of AARP The Magazine12:45 PM
For five decades, Helen Mirren has captivated audiences in theaters and cinemas—and her stature just keeps growing.
Mirren’s success began with her onstage debut with the Royal Shakespeare Company in Trevor Nunn’s 1966 staging of The Revenger’s Tragedy. First seen as a Shakespearean stage actress, she launched and maintained a parallel film career with movies like Elizabeth I¸ RED, The Queen, A Midsummer Night’s Dream and Trumbo led her to her appointment as a Dame Commander of the Order of the British Empire (DBE)—despite an adventurous career that included roles in such films as the shocking Caligula. Mirren’s latest role is in Collateral Beauty, where she supports star Will Smith as part of an ensemble cast that also features Edward Norton, Keira Knightley, and Kate Winslet.
The following are excerpts from the December/January issue of the AARP The Magazine cover story featuring Helen Mirren, available in homes starting Nov. 1 and available online now at aarp.org/magazine/.
Selections from Helen Mirren AARP The Magazine December/January Issue
Ask Her Anything:
Brexit? “Terrifying – tribalism, nationalism and self-protection.”
Cheddar cheese? “American cheddar is so ghastly.”
Viagra for women? “Yes. It’s time that was addressed.”
Photo retouching? “A little bit’s very nice, thank you very much.”
Her sexy rep? “I think it’s probably going to follow me to my grave.”
London’s East End? “It’s absolutely my sense of identity.”
Actor Edward Norton? “He’s a very smart cat. Really smart.”
Rules? “It’s good to break your own rules on a regular basis.”
Diets? “I carry and let go of the same 10 pounds.”
The word “slut”? “I love the way young women are claiming it.”
Muhammad Ali? “We’ve sanctified him, but he had a mean streak.”
On being an actress in her 70s:
“The best thing about being over 70 is being over 70. Certainly when I was 45, the idea of being 70 was like ‘Arghhh!’ but you only have two options in life: Die young or get old. There is nothing else. The idea of dying young when you’re 25 is kind of cool — a bit romantic, like James Dean. But then you realize that life is too much fun to do that. It’s fascinating and wonderful and emotional. So you just have to find a way of negotiating getting old psychologically and physically.”
On her thoughts of America:Mirren first visited the States in the 1960s, when she was on tour with the Royal Shakespeare Company.
“I’ve always loved America,” Mirren said. “I found it exciting. I found it liberating. I found it fascinating. America is so varied and so beautiful! From Louisiana to New Mexico, Georgia, the Blue Ridge Mountains, the Dakotas, oh my God! It’s spectacular.”
With a few days to spare between shows in San Francisco and Detroit, “a few of us took the train across the Salt Lake plains of Utah, stopping in places like Cheyenne, where the train would stop literally in the middle of the town,” she recalls. “You had 20 minutes, so you could pop out to a cowboy bar and come back. It was a great education, to see the landscape that those early pioneers crossed on foot or horse. That gave me a little inkling of what it means to be an American, to be able to contemplate that journey, let alone make it.”AARP: And they came here with virtually nothing.
Mirren: “Only their dreams”
I ask if, after all this time, she feels like an American, and she shakes her head no. “The people who made America are the ones who came without return tickets. They came, just launched into this world — Irish, Jewish and obviously Africans. I always have a return ticket.”
On her recommitment to the stage:
“I didn’t want to be famous, but I wanted to be a really good actress,” she said. “I wanted to be recognized as a great theater actress.”
On her commitment to playing queens:On her thoughts of religion and soul:
“Queens are good, it’s good to be queen. I’m preparing to do a piece about Catherine the Great of Russia, an amazing monarch. I mean, the reason certain queens are great to play is because they’re powerful.”
AARP: Your family used to discuss this question at dinner: Is there a soul?
Mirren: “I’m not religious. So If I say yes, there is a soul, it’s nothing to do with religion or God. But yes, I would say there is a spirituality in being a human being that is connected to the imagination in some way.
On her current project, Collateral Beauty:She plays a part “exactly who I would have been, actually, if my career hadn’t been successful, working in a little art theater, an artist driven by her need to make art.”
“It’s a very strange movie, almost in the genre of magical realism, for lack of a better term. It’s not so sort of obvious, which is what I rather liked about it — the concept that out of incredible tragedy and heartache and difficulty can come beauty.”
Kate Winslet on Helen Mirren:
“You could sit and talk about anything with Helen, for hours,” Winslet said. “Anything from boobs to boys, work to what we were going to drink at cocktail hour. And we would all sit and run our lines together. Which is all you ever hope for on set. She is everyone’s friend. And she is out-of-control sexy and beautiful! We all wanted to make out with her.”
Mirren on delaying marriage and forgoing having children:
“A lot of it was luck. But a lot of it was choice, absolutely. So yes, I did very consciously choose my work over my relationships right up to the time that I met [my husband, director] Taylor [Hackford]. I was 38 when I met Taylor, pretty late in life.”
“We got married in the end because we realized that we were going to be together forever,” she said. “We got married, ultimately, for legal reasons more than anything else. Estate planning and other complicated things like that. And our families, we sensed, wanted us to be married. I always said I have nothing against marriage, it just wasn’t to my taste, like turnips. It took me a very long time to come round to acquiring the taste. I just had to meet the right turnip.”
On why acting is satisfying:
“I find the engagement in the imagination very appealing.” In fact, it’s more than that. Mirren says she considers her profession to be a sacred calling, one that required all of her body and soul, even as a young woman. As she wrote in her autobiography, “The theatre became my religion, and I wanted to serve it.”