Friendly Film Perspectives: “Creature from the Black Lagoon” (1954)

Hosts Sergio Berrueta and Matthew Reveles enter the Five Stages of Horror by entering the “Classic” first with 1954’s “Creature from the Black Lagoon.” Watch as the duo take a dip to discuss the film’s legacy, Julia Adams’ screaming and the awkward breathing of Gil-Man himself.
The hosts also talk about their first horror films and the Cryptkeeper.
Creature from the Black Lagoon is copyright of Universal Studios © 1954 Universal International Pictures
Buy It from Amazon:
Music featured includes:
“Tennis Court” (Instrumental) by Lorde © 2013 Universal Music NZ Ltd.
“Rollin at 5,″ “Night of Chaos” & “Theme for Harold (Var. 2)” by Kevin McLeod from
Video Footage Used:
“King Kong,” “Dracula,” “The Wolf Man,” “Frankenstein,” “The Bride of Frankenstein,” “Creature from the Black Lagoon,” “The Invisible Man,” “The Hunchback of Notre Dame,” “An American Werewolf in London,” “Shaun of the Dead” © Universal Pictures
Suspria © 1977 Seda Spettacoli
“Dead Alive” & “The Cabin in the Woods” © Lionsgate
“Tucker and Dale vs. Evil” © 2010 Magnolia Pictures
“Zombieland” © 2009 Columbia Pictures
Copyright Disclaimer :
17 USC section 107
17 U.S.C. § 107
Notwithstanding the provisions of sections 17 U.S.C. § 106 and 17 U.S.C. § 106A, the fair use of a copyrighted work, including such use by reproduction in copies or phonorecords or by any other means specified by that section, for purposes such as criticism, comment, news reporting, teaching (including multiple copies for classroom use), scholarship, or research, is not an infringement of copyright. In determining whether the use made of a work in any particular case is a fair use the factors to be considered shall include: the purpose and character of the use, including whether such use is of a commercial nature or is for nonprofit educational purposes; the nature of the copyrighted work; the amount and substantiality of the portion used in relation to the copyrighted work as a whole; and the effect of the use upon the potential market for or value of the copyrighted work. The fact that a work is unpublished shall not itself bar a finding of fair use if such finding is made upon consideration of all the above factors.

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